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Madonna

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GIOVANNI MERLIANO called GIOVANNI DA NOLA (sculptor from Apulia, close to)

s15

APULIAN SCULPTOR CLOSED TO GIOVANNI DA NOLA

Nola, 1488-Naples, 1558

Madonna

polychrome sculpted wood,  cm 124 height

The Virgin is rendered with a timid expression, and looks modestly downwards, something that makes one suppose this sculpture may have been part of a holy group, or that it has been placed in a raised position, in the center of an altar. The expression is gentle but firm, the cheeks slightly red; a blue veil held in place by a cherub-shaped clasp on her breast covers her head and shoulders, creating a softly folding drapery. The right leg, that folds slightly as stepping and the somewhat inclined face give the sculpture a sense of dynamism.

Among the countless sculptors who worked in Southern Italy in the first half of the Sixteenth century, this Madonna seems close to the style of Giovanni da Nola, perhaps reflected in the work of a follower from the Apulia region. The commercial relations that united the Adriatic shores of Apulia with Venice, along with the political and administrative dependency on the Viceroy of Naples, explain the reasons for the diffusion of different cultural genres in this region of Southern Italy.

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In the same collection:

MAESTRO FROM SOUTHERN ITALY OF THE SEVENTEENTH CENTURY

s92

September 12, 2019

The Madonna with the Child


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JACOPO DELLA QUERCIA

s89

February 22, 2022

The head of the Madonna


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ANTONELLO GAGINI, circle of

s27

March 5, 2022

Madonna


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Northern sculptor, 16th century

s96

March 5, 2022

Gryphon


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