Logo_Tornabuoni_Arte_VETTORIALE ORO NEW copiaLogo_Tornabuoni_Arte_VETTORIALE ORO NEW copiaLogo_Tornabuoni_Arte_VETTORIALE ORO NEW copiaLogo_Tornabuoni_Arte_VETTORIALE ORO NEW copia
  • Collections
    • Paintings
      • Fondi oro
      • Renaissance and Mannerism
      • Baroque
      • Neoclassicism and 19th century
    • Sculpture
      • Middle Ages
      • Renaissance and Mannerism
      • Baroque
      • Neoclassicism and 19th century
    • Furniture
      • Cabinets
      • Chest of drawers
      • Chests
      • Sideboard
      • Bookcases
      • Seats
      • Tables
      • More
    • Objects
  • Catalogues
  • News
  • Video
  • About Us
  • Contacts
  • About Us
  • Contacts
  • English
  • Italian
✕

Madonna with Child

  • Home
  • Collections
  • Sculpture Renaissance and Mannerism
  • Madonna with Child
DOMENICO ROSSELLI

s8

DOMENICO ROSSELLI

Pistoia, 1439-Fossombrone, 1497/1498

Madonna with Child

dated: 1470 ca.

Sculpted and painted stucco (plaster), cm 65×48,5

This relief depicting the ‘Madonna with Child’ belongs to a critically renowned type of stucco sculpture. The Madonna is shown in half-bust behind a balustrade, dressed in the customary garb of tunic, cloak and veil on the head. The infant Jesus is standing on the balustrade, wearing a tunic gathered on the bust, leaving the sex naked. This image derives from a famous model by Verrocchio, often reworked by his pupils, in both painting and sculpture, throughout the whole seventh decade of the 1400s. Artists such as Perugino and Ghirlandaio used this composition, as well as Piermatteo d’Amelia and Francesco di Simone Ferruccio. The prototype is recognizable in the ‘Madonna with Child’, by Andrea del Verrocchio, located in the Bargello Museum in Florence.

This stucco is probably a mold for a lost marble, as was the wont in Florence during the fifteenth century, when artworks were replicated by the same master for commercial purposes.

In this case, the relief is identical to a stucco piece, now remounted in a niche with borders by Neri di Bicci in a slightly antique manner, which is preserved in the Museum of Palazzo Davanzati in Florence. Giancarlo Gentilini has proposed, for both that example and ours, an attribution to Domenico Rosselli, who must have sculpted and then modelled this kind of Madonna at the centre of his production, immediately after leaving the workshop of Verrocchio.

Share

In the same collection:

MAESTRO FROM SOUTHERN ITALY OF THE SEVENTEENTH CENTURY

s92

September 12, 2019

The Madonna with the Child


Read more
JACOPO DELLA QUERCIA

s89

February 22, 2022

The head of the Madonna


Read more
ANTONELLO GAGINI, circle of

s27

March 5, 2022

Madonna


Read more
Northern sculptor, 16th century

s96

March 5, 2022

Gryphon


Read more

Tornabuoni Arte – Arte Antica

We look forward to seeing you at the ground floor of the prestigious fourteenth-century building overlooking via Maggio. We host a rich collection of pieces from various eras and origins, both paintings, sculptures and furniture, from the Middle Ages to the 19th century.

Opening hours:

-Tuesday-Saturday
9.30 am - 1 pm / 2.30 pm - 7.00 pm

Contacts:

Address: via Maggio 40r, Florence - 50125
tel. +39 055 - 2670260
fax. +39 055 - 2678032 
mail. antichita@tornabuoniarte.it
© 2020 Tornabuoni Arte. Powered by meltin'Concept
Privacy PolicyCookie Policy
Disclosure requirements for public funding: State and De Minimis aids received by this company are published in the National Register of State Aids, pursuant to art-52 of Law 234/2012, and can be consulted by entering tax code field, the CF 04466800481
Direct Link

English
  • English
  • Italian
  • English
  • Italian