Logo_Tornabuoni_Arte_VETTORIALE ORO NEW copiaLogo_Tornabuoni_Arte_VETTORIALE ORO NEW copiaLogo_Tornabuoni_Arte_VETTORIALE ORO NEW copiaLogo_Tornabuoni_Arte_VETTORIALE ORO NEW copia
  • Collections
    • Paintings
      • Fondi oro
      • Renaissance and Mannerism
      • Baroque
      • Neoclassicism and 19th century
    • Sculpture
      • Middle Ages
      • Renaissance and Mannerism
      • Baroque
      • Neoclassicism and 19th century
    • Furniture
      • Cabinets
      • Chest of drawers
      • Chests
      • Sideboard
      • Bookcases
      • Seats
      • Tables
      • More
    • Objects
  • Catalogues
  • News
  • Video
  • About Us
  • Contacts
  • About Us
  • Contacts
  • English
  • Italian
✕

Madonna with the Child

  • Home
  • Collections
  • Sculpture Neoclassicism and 19th century
  • Madonna with the Child
ALCEO DOSSENA

s88

ALCEO DOSSENA

Cremona, 1878-Rome, 1937

Madonna with the Child

marble, cm 64 height

“I have created in the manner like those of the great maestros, but I have always created”. With these words, Alceo Dossena defended his incredible art when, in 1928, experts found out that some pieces, sold as ancient art in the United States, were actually modern art. In previous years, many of Dossena’s works – we do not know if they were made in good faith as he later claimed – were identified by the biggest names in the field of the art criticism not only as being ancient art, but also as masterpieces of great artists of the fourteenth and fifteenth century, and were bought by important museums.

Some were even attributed to Simone Martini, an artist known exclusively for his pictorial work, which means that, to justify the creation of such extraordinary pieces, they even went as far as to think that he must have been a sculptor too.

The art of Dossena, who we know spent part of his time studying in Tuscany, drew inspiration from the great maestro of Siena for his works, but he was able to merge his style with influences from other maestros, not necessarily of the same era. As a matter of fact, the sculpture in question seems to effectively combine Gothic shapes and stylism with more mature traits: in the languid expression of the Virgin, for example, there seems to be something that echoes Michelangelo’s Pietà, in Saint Peter’s Basilica.

The work was certainly made during the most ancient phase of the artist’s production. Notably, this poignant sculpture is closely related to Virgin in the Annunciation kept in the University Art Gallery of Pittsburgh, bought by Helen Clay Frick as a Simone Martini’s piece for the astronomical sum of 225,000 dollars at the Volpi antiquarian, in Florence. The two elements that are also found in the American piece are the face of the woman, although more in the style of Martini’s and more stylized in the first one, and the denticulated capital on which the figure of the sculpture stands. The evident cracks, likely part of the artistic process, might suggest that the work was among the ones that Fasoli and Pallesi, who discovered our talented sculptor, passed off for ancient pieces coming from a non-existent Gothic abbey that was ‘demolished’ during an earthquake in Mount Amiata, a gimmick contrived to justify the sudden appearance on the market of so many unknown masterpieces.

In the thirties, Dossena, finally free to sign his own works and to show himself to the public, found great success and popularity, culminating in the major auction held at the Plaza Hotel in New York in 1933.

Share

In the same collection:

XIX secolo

s61b

November 23, 2024

Bust of Caracalla


Read more
Italia, metà del XVIII secolo

s97

April 4, 2025

Pair of doves


Read more
Ottavio Bartolucci, Italia, XIX secolo

s109

April 4, 2025

Una and the lion


Read more
MAESTRO OF THE NINETEENTH CENTURY

s86

September 10, 2019

The Madonna with the Child and the donor


Read more

Tornabuoni Arte – Arte Antica

We look forward to seeing you at the ground floor of the prestigious fourteenth-century building overlooking via Maggio. We host a rich collection of pieces from various eras and origins, both paintings, sculptures and furniture, from the Middle Ages to the 19th century.

Opening hours:

-Tuesday-Saturday
9.30 am - 1 pm / 2.30 pm - 7.00 pm

Contacts:

Address: via Maggio 40r, Florence - 50125
tel. +39 055 - 2670260
fax. +39 055 - 2678032 
mail. antichita@tornabuoniarte.it
© 2020 Tornabuoni Arte. Powered by meltin'Concept
Privacy PolicyCookie Policy
Disclosure requirements for public funding: State and De Minimis aids received by this company are published in the National Register of State Aids, pursuant to art-52 of Law 234/2012, and can be consulted by entering tax code field, the CF 04466800481
Direct Link

English
  • English
  • Italian
  • English
  • Italian