{"id":7238,"date":"2026-07-01T09:47:20","date_gmt":"2026-07-01T09:47:20","guid":{"rendered":"https:\/\/antico.tornabuoniarte.it\/?post_type=portfolio&#038;p=7238"},"modified":"2026-07-01T09:47:41","modified_gmt":"2026-07-01T09:47:41","slug":"madonna-and-child-enthroned-crowned-by-two-angels-between-saints-julian-the-hospitaller-and-anthony-abbot","status":"publish","type":"portfolio","link":"https:\/\/antico.tornabuoniarte.it\/en\/collections\/madonna-and-child-enthroned-crowned-by-two-angels-between-saints-julian-the-hospitaller-and-anthony-abbot\/","title":{"rendered":"Madonna and Child enthroned, crowned by two angels, between Saints Julian the Hospitaller and Anthony Abbot"},"content":{"rendered":"<div id=\"gutenslider-dlpqf7nu1\" class=\"wp-block-eedee-block-gutenslider gs-frontend content-change alignnone adaptive-height arrow-style-1 arrow-position-sides arrow-mb-none arrows-lg arrows-md arrows-sm dot-style-1 dots-lg dots-md dots-sm dot-position-bottom is-position-center-center 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src=\"https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-655x1024.jpg\" alt=\"Madonna in trono col Bambino tra i Santi Giuliano l\u2019Ospedaliere e Antonio Abate\" decoding=\"async\" style=\"object-fit: cover; object-position: 50% 50%;\"  data-caption=\"d479 (con cornice)\" data-title=\"Giovanni di Tano Fei\" srcset=\"https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-655x1024.jpg 655w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-192x300.jpg 192w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-768x1200.jpg 768w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-50x78.jpg 50w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-1600x2500.jpg 1600w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-983x1536.jpg 983w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-1310x2048.jpg 1310w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-48x75.jpg 48w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-614x960.jpg 614w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-307x480.jpg 307w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-480x750.jpg 480w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-7-scaled.jpg 1638w\" sizes=\"(max-width:767px) 480px, 655px\" \/><div class=\"eedee-background-div__overlay\" style=\"opacity:1;\"><\/div><\/div><div class=\"slide-content\">\n\n<p class=\"has-text-align-center gutenslider-content-initial has-larger-font-size\"><\/p>\n\n<\/div><\/div>\n\n<div class=\"swiper-slide wp-block-eedee-block-gutenslide is-position-center-center ed-bg-image\" style=\"--ed-vw:225;--ed-vh:300;\" data-hash=\"\"><div class=\"eedee-background-div bg-image\"><img loading=\"lazy\" width=\"768\" height=\"1024\" class=\"wp-image-7235\" src=\"https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-768x1024.jpg\" alt=\"Madonna in trono col Bambino tra i Santi Giuliano l\u2019Ospedaliere e Antonio Abate\" decoding=\"async\" style=\"object-fit: cover; object-position: 50% 50%;\"  data-caption=\"d479\" data-title=\"Giovanni di Tano Fei\" srcset=\"https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-768x1024.jpg 768w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-225x300.jpg 225w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-50x67.jpg 50w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-1600x2133.jpg 1600w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-1152x1536.jpg 1152w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-1536x2048.jpg 1536w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-56x75.jpg 56w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-720x960.jpg 720w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-360x480.jpg 360w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-480x640.jpg 480w, https:\/\/antico.tornabuoniarte.it\/wp-content\/uploads\/2026\/07\/Senza-nome-8-scaled.jpg 1920w\" sizes=\"(max-width:767px) 480px, (max-width:768px) 100vw, 768px\" \/><div class=\"eedee-background-div__overlay\" style=\"opacity:1;\"><\/div><\/div><div class=\"slide-content\">\n\n<p class=\"has-text-align-center gutenslider-content-initial has-larger-font-size\"><\/p>\n\n<\/div><\/div>\n<\/div><\/div><button class=\"eedee-gutenslider-nav eedee-gutenslider-prev\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\"><circle class=\"bg\" cx=\"13\" cy=\"12\" r=\"11\" \/><path fill=\"none\" d=\"M0 0h24v24H0z\"\/><path class=\"arrow\" d=\"M10.828 12l4.95 4.95-1.414 1.414L8 12l6.364-6.364 1.414 1.414z\"\/><\/svg><\/button><button class=\"eedee-gutenslider-nav eedee-gutenslider-next\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\"><circle class=\"bg\" cx=\"11\" cy=\"12\" r=\"11\" \/><path fill=\"none\" d=\"M0 0h24v24H0z\"\/><path class=\"arrow\" d=\"M13.172 12l-4.95-4.95 1.414-1.414L16 12l-6.364 6.364-1.414-1.414z\"\/><\/svg><\/button><div class=\"eedee-gutenslider-pagination\"><\/div><div class=\"gutenslider-divider-bottom \" style=\"color:#fff;\"><\/div><\/div><\/div>\n\n\n<p class=\"has-text-align-center\">GIOVANNI DI TANO FEI<\/p>\n\n\n\n<p class=\"has-text-align-center\">Doc. in Florence from 1386 to 1409<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Madonna and Child enthroned, crowned by two angels, between Saints Julian the Hospitaller and Anthony Abbot<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">tempera and gold on panel, cm. 77,5&#215;49,5<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Originally intended for private devotion, this important panel portrays the Virgin seated on a throne concealed by an ample mantle, richly decorated with gold at the edges, as she offers her breast to the Child, who looks toward the viewer while suckling. On either sides, a pair of angles in adoration emerge from clouds, placing a golden crown upon the Virgin\u2019s head, which is directly stamped onto the gold leaf of the background. In the foreground, in smaller proportions, stand Saint Julian and Anthony Abbot, set against a grey and red tiled floor &#8211; a combination quite typical of Florentine painting between the late 14th and early 15th century.<\/p>\n\n\n\n<p>In exceptional conditions and known to both Federico Zeri and Everett Fahy, the work comes from the prestigious collection of the Hohenlohe-Langenburg princely family of Madrid, and has recently been attributed by Mauro Minardi to the hand of the late Gothic Florentine painter Giovanni di Tano Fei. Documented in Florence from 1386, the year in which he is recorded in the Arte dei Medici e degli Speziali as a \u201cpictor cofanorum\u201d (painter of cassoni), until 1409, when a payment is recorded for a panel he executed for the altar of Saint Peter Martyr in the church of Santa Maria Novella, Fei may be described, in Minardi\u2019s words, as a \u2018petit ma\u00eetre\u2019 who worked primarily in the Florentine milieu during the last fifteen years of the 14th century and the first two decades of the 15th.<\/p>\n\n\n\n<p>Fei\u2019s artistic personality was first reconstructed by Mikl\u00f2s Boskovits, who grouped a number of panel paintings around the \u201cMadonna and Child Enthroned with Angels\u201d (dated 1399) from the Serristori Hospital in Figline Valdarno &#8211; hence the original name by which the painter was identified by Boskovits, \u201cMaster of 1399\u201d. Fei\u2019s style is distinguished by a certain descriptive inventiveness, in which composure and balance of composition and figures blend masterfully with a touch of expressive eccentricity. These traits place Fei\u2019s works firmly within the late 14th-century neo-Giottesque tradition, epitomised by the work of Taddeo and Agnolo Gaddi, and Jacopo di Cione, while also anticipating the trends in Florentine late Gothic painting exemplified by artists such as Gherardo Starnina and Lorenzo Monaco.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":7235,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio-types":[44],"acf":[],"_links":{"self":[{"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/portfolio\/7238"}],"collection":[{"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/comments?post=7238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/media\/7235"}],"wp:attachment":[{"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/media?parent=7238"}],"wp:term":[{"taxonomy":"portfolio-types","embeddable":true,"href":"https:\/\/antico.tornabuoniarte.it\/en\/wp-json\/wp\/v2\/portfolio-types?post=7238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}